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Awards
Photo by Scott Whittle for Tony.org |
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Do Wah Diddy Diddy End of Scene 1, The Real Thing |
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Brian Stokes Mitchell, Heather Headley, Jennifer Ehle and Stephen Dillane Photo by Stan Honda
More Tony pics are at The Real Thing - NY III page and scattered throughout the site. |
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Variety Tuesday June 6, 2000 Broadway Bows to the Union Jack -- Again (an excerpt) by
Matt Wolf So what else is new, one might ask, given that the Tonys have often provided a spectacle of English hegemony over homegrown American fare? But the surprising show of British victors at Sunday night's ceremonies -- often in categories where a more than credible American recipient was overlooked -- suggests that you don't need an onslaught of London transfers for English accents to dominate proceedings; one or two will do nicely --the 1999 spring season offered up eight within 11 weeks -- and cultural genuflection does the rest. That's in no way to deride the achievements of some of the winners, starting with "The Real Thing's" Stephen Dillane, whose definably casual and relaxed stage manner -- no Jeremy Irons-style fireworks for him -- extended to a Tony acceptance speech so low-key that it raised British understatement to something approaching a high art. (After the ceremony, the actor was glimpsed on Seventh Avenue making a post-victory call from a pay phone; clearly, his status as Broadway's latest Brit du jour doesn't come with a cellular.) |
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Variety Monday June 5, 2000 Backstage Notes: Tony Awards (an excerpt) by
Robert Hofler Dillane denied the rumor that his body language in the role was based on Stoppard’s. |
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Best Revival of a Play
Other nominees Amadeus |
Best Performance by a Leading Actress in a Play Jennifer
Ehle, The Real Thing Other nominees Jayne
Atkinson, The Rainmaker Claudia Shear, Dirty Blonde |
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Theatre.com Wednesday May 31, 2000 Inside the 2000 Tony Category: Best Performance by a Leading Actor in a Play (an excerpt) by Randy Gener British actor Stephen Dillane also undergoes an emotional journey in Tom Stoppard’s The Real Thing. As Henry, he plays a quick-witted, snobby playwright who ditches his wife for a wayward actress while trying to write a play. Making his American stage debut, Dillane invests the role with rue and wit. He is reprising on Broadway the performance he gave at London’s Donmar Warehouse, which Stoppard saw and described as filled with “such integrity as to scare the life out of an author.” “You can’t separate the performance from the play,” Dillane said. “Although it is complex and full of stuff, it is also easy to get hold of and very accessible. It’s such an extraordinarily actor-proof piece that it’s hard to drop it.” |
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The Times (London) Monday June 12, 2000 by
Joanna Coles |
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TheatreMania Monday May 29, 2000 Tony
Bytes by
Kathy Henderson (an excerpt) Has Broadway been what you expected? I’m not sure that I expected anything. [Indicates the packed party room at Sardi’s] All of this has been a bit of a surprise! But we’re having a fantastic time. I find New York very friendly, and I’m surprised by that. I quite like the fact that you have to move faster. You feel your body becoming tenser and tenser as the week goes on; it’s exhausting, but it’s also a thrill. How you feel about your character? I love him when I feel I’m doing him well. Did you see any of the original productions of The Real Thing? No. That was 16 years ago-I was only four at the time! (laughs) |
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May 8, 2000 - The Real Thing garnered 5 Tony nominations:
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| This page was last updated on December 19, 2001. |

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