The
Hollywood Reporter
Friday
September 25, 1992
'Heading
Home'
by
Laurence Vittes
"Heading
Home,'' a curiously inert but strikingly passionate made-for-British-TV
movie, makes its debut on American television on the A&E channel.
The two-hour telefilm concerns a curiously impassive and strangely
beautiful young woman named Janetta (Joely Richardson) who comes to London
from the provinces after World War II.
There, she meets a librarian and takes a job in a library, meets a poet
named Leonard Meopham (Stephen
Dillane) and his girlfriend Beryl
(Stella Gonet) and moves in with the former after moving out the latter,
then meets a small-time hood named Ian Tyson (Gary Oldman) and becomes his
moll.
The story fairly flashes with love and violence. Richardson's Janetta has
something burning beneath her cold exterior that not only drives Leonard
and Ian wild (in their very different ways) but which is instantly
recognizable to the very perceptive Beryl.
As Janetta proceeds with her affairs, she begins to learn that life has
quite another side than merely isolated incidents of pleasure and pain,
and indelible consequences begin to stain first her present and then her
future.
It is all a bit precious, but David Hare's script and direction is
extraordinarily poetic and, in its highly stylized way, very realistic.
Dillane
is absolutely brilliant in evoking a man whose life and charm and energy
totally come out of the magnificence of his brain while Tyson and Oldman
are more ordinarily good, making their sensuous characters burn and glow
as they ought.
It is Richardson, however, who is the splitting point on this show. For
those who find her portrayal accurate, and I suspect that will include
women more than men, "Heading Home'' will seem an almost painful
experience of great beauty and truth.
Those, however, who never can locate (or believe in) Janetta's spiritual
center despite Richardson's undoubted tour de force of acting virtuosity,
may just drift off as the plot untangles and her future life becomes
revealed.